Hannah Nussbaum
The Stranger
Poppers Friday at The Morgue
window shopping on Saturday
the corn tint of the yellow suited me
Sunday I walked intuitively
the world popping off like a shot
these generics breaking my balls
as I search for X, the trickster myth
the passion of Sisyphus, the reason, the limit
a needle in the cell of my favorite playpen
the pop cycle of days getting to me
pop churn of alphabet city
girly BMIs on grassy humps
allergic to any seeable culture
hot blue air turns up my lips and teeth
I crook my back, speaking verbaciously
horizontal cock in the park
hip rising out of grass
it rises most pleasingly
I tend to want myself
especially in the summer
matricide this poor little afternoon
it’s a terrible thing to go without refusal
tortellini and a personal pie
how the death drive is played
how I want my life, the trick
is to want what’s mine
sickened by the language
the virus that proves me
mind dysplasia
a thinking inside out
a bunch of years ago
I taught myself to time travel
daytime on a bus
a technique where I bookmark whatever instant
I am having the best time
my road movie on a Sunday
escapism from the cell
pushing my yellow paper sun
XXX
Cos X sounds like cossacks
Sin X sounds like sinks
my teenage cousin sounds like Rainman
my hot single aunt saying how
he lives to pick on her
how it’s his raison d'être
in a european accent she wipes an eye saying
I’m all things bad to these boys
the chocolate keto popsicle slips
through the finger
one day you just start longing
for a house
built by a contractor
this popsicle tastes awesome
this Netflix is free
on two devices
investing in the face
and in the neck specifically
now sucking the star
as it darkens the shirt
a pornhub domestic gothic
ex-wife ex-daughter sister special —
mature ex-cellist meets
big boy with a
vice grip
OOO
Air in my lip trying to whistle on a walk. The unresolved day my dad burned two cellos. Catgut strings curling up in a drum. A stone in a yard in dialogue with a tree. Very nicely said on a walk last spring. A yellow bird, a peel, an orange on the ground. Two big cellos in a closet since the seventies. Eight family strings going out in the grate. Out in the yard, the rock pile and the gate. Ow from the back. Oh from the top. Someone plays a cello near the lake on a walk.
Hannah Nussbaum is a poet, prose writer and essayist based in Brooklyn. Her writing has been published in Map Magazine, Spam Zine, Corridor8, Tank Magazine and elsewhere. Follow HN on Instagram at @han.nah.lee.n